At an art fair with over 180 exhibitors and thousands of unique artworks and objects, it's natural that many pieces go unnoticed among the aisles. However, in this edition of SP-Arte, some works did not go unoticed: whether for their vibrant colors or for the importance of their historical context. From Wednesday to Sunday, between April 8th and 12th, the Bienal Pavilion — a project designed by Oscar Niemeyer — hosted the largest art fair in Latin America: SP-Arte. With more than 180 Brazilian and international exhibitors from the art and design sectors, the fair is considered a barometer of the Brazilian art market, which has been growing and expanding over the years. According to the most recent report published by Art Basel in partnership with UBS, South American gallery owners recorded strong sales volumes in 2025 and significant growth compared to previous years. SP-Arte is certainly one of the factors driving this phenomenon, bringing together collectors and major institutions in the same space.
LAMB
Based in London, LAMB was one of the few international galleries present at SP-Arte this year, representing three artists. One of them was Maya Weishof, a Brazilian artist who, through fluid drawings, explores narratives from art history, such as myths and legends, intertwined with personal memories.
