assume vivid astro focus Brazilian and French
assume vivid astro focus is a São Paulo–based multidisciplinary art collective comprised of Eli Sudbrack (b. Rio de Janeiro, Brazil, 1968) and Christophe Hamaide-Pierson (b. Paris, France, 1973). The pair joined forces in 2001 under the alias Vivid Astro Focus (avaf). The two artists also work independently under the avaf name, and sometimes morph into a collective depending on the project. Over the years, they have reimagined artistic conventions, collaborating on various large-scale installations worldwide with a diverse range of professionals, including musicians, architects, performers, fashion designers, and graffiti artists. Working under a pseudonym is fundamental to their process: everyone, including the public, becomes one under the avaf identity, reflecting their core belief in inclusivity. Their large-scale public works embody the idea of Gesamtkunstwerk (“total work of art”), unrestricted by gallery or museum walls. In the public sphere, they reach wider audiences, often engaging viewers who might not otherwise encounter art, reimagining it as a social and participatory practice.
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Planet Space Life, 2023
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Bona to Vada Your Dolly Bold Eek II, 2022
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Bona to Vada Your Dolly Bold Eek I, 2022
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Bona to Vada Your Dolly Bold Eek IV, 2022
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Bona to Vada Your Dolly Bold Eek VI, 2022
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Bona to Vada Your Dolly Bold Eek VII, 2022
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Bona to Vada Your Dolly Bold Eek VIII, 2022
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Bona to Vada Your Dolly Old Eek III, 2022
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Parakeet Winged Vase, Orange Pineapple, 2021
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Peinture Peinture, (Now), 2020
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Best Friends / Parties , 2020
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Untitled
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Night Shift
14 Oct - 29 Nov 2025 LAMBLAMB is pleased to present Night Shift , an exhibition that traces the enduring relationship between art and the culture of nightlife, where liberation, reinvention, and moments of introspection unfold...Read more -
Queer Histories
Museu de Arte de São Paulo (MASP) 13 Dec 2024 - 13 Apr 2025The current global landscape for queer and trans people is uneven: acceptance, solidarity, and visibility exist alongside hatred, censorship, and outright legal prohibition in different parts of the world. Thus,...Read more -
assume vivid astro focus: XI
The Bass Museum of Art, Miami Beach, FL 14 Nov 2024The Bass is pleased to present the exhibition assume vivid astro focus: XI , an enveloping installation spanning floor to ceiling that features densely patterned wallpaper, multicolored seating, a modular...Read more -
assume vivid astro focus: Bona To Vada Your Dolly Bold Eek
11 Feb - 1 Apr 2022 LAMBLAMB is pleased to present Bona to Vada Your Dolly Bold Eek , a show by French and Brazilian duo assume vivid astro focus (avaf). Christophe Hamaide-Pierson and Eli Sudbrack...Read more -
Sorry It's a Mess, We Just Moved In!
Curated by Roya Sachs 29 Sep - 13 Nov 2021 LAMB· assume vivid astro focus · Koos Buster · Patricia Camet · Christo & Jeanne-Claude · Martin Creed · Peter Fischli & David Weiss · Isa Genzken · Clara Hastrup...Read more -
assume vivid astro focus: Long and Deep French Kiss
Curated by Roya Sachs 22 Nov - 21 Dec 2018 LAMBLAMB is pleased to present Long and Deep French Kiss , a site-specific solo show by assume vivid astro focus (avaf). The installation marks the final show at the gallery’s...Read more
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Assume Vivid Astro Focus: XI | At The Bass Miami Beach
An Exhibit That Bestows Dialogue Within and Outside The Gallery WallsMaleah Pasasouk, Flaunt Magazine, November 13, 2024 -
In Miami Beach, A New Street Art Installation Celebrates the City’s Vibrant Drag Scene
Janelle Zara, CNN Style, December 8, 2023 -
The London Exhibition Providing An Artistically-lensed Peephole Into Polari
Featuring at LAMB Arts in London, art duo AVAF look to the roots of underground language Polari in their new exhibition Bona to Vada Your Dolly Bold Eek.Christina Donoghue, Show Studio, March 11, 2022 -
9 Gallery Shows to See in London During Frieze Week, From a Ron Mueck Retrospective to a Motley Crew of Ominous Skeleton
There's plenty going on in London outside the white tents.Naomi Rea, Artnet, October 12, 2021 -
Subversive, but Colorfully So
Guy Trebay, The New York Times, May 2, 2014